{"title":"Bookshop","description":"","products":[{"product_id":"emissaries-for-things-abandoned-by-gods","title":"Emissaries for Things Abandoned by Gods","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCatalogue for the exhibition Emissaries for Things Abandoned by Gods\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurated by Elena Filipovic\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCasa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard the architect had for the power of these images and objects, the exhibition occupying the Casa Barragán from September 21-December 15, 2019, entitled Emissaries for Things Abandoned by Gods, aims to fill the house with the artworks of contemporary artists. All existing artworks in the Casa Barragán (including all paintings, photographs, images, copies of artworks, sculptures, and artifacts) will be temporarily replaced by contemporary equivalents or “emissaries” selected for their formal or conceptual correspondences with the originals. These newly made and recent artworks by contemporary artists from around the world will be placed precisely where each of the removed originals had previously been in the house.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtists:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMathieu Kleyebe Abonnenc\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDanai Anesiadou\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLutz Bacher\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoberto Cuoghi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eektor garcia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Angelo Harrison\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeinz-Peter Knes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGabriel Kuri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJutta Koether\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDeana Lawson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJill Mulleady\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeth Price\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePamela Rosenkranz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael E. 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The photographed desert is the place where autochthonous citizens of Bahrain pass their holidays in order to get in touch with their ancestral nomadic origins. The desert is also the site of gas and petroleum ducts and high voltage trellises, which alter and accentuate the topography of the territory. The men portrayed are immigrants attempting to improve their own living conditions and those of their families. Through their labour they construct the objects that modify the landscape of the desert. 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Using an interdisciplinary approach that blends philosophy, erotic literature, media theory, psychoanalysis, gender studies, and neuroscience, the text explores how devices, platforms, and technologies shape and produce normative systems that influence our perceptions, desires, and relationships with others. By examining the interplay between desire and digital mediation and drawing comparisons with authors such as Deleuze, Ballard, Žižek, Butler, Preciado, Bataille, and others, this book aims to present a new theoretical, critical, and philosophical perspective in the contemporary discourse on the relationship between humans, technology, and society.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book begins with an analysis of three iconic erotic texts from Masoch, Ballard and Bataille, and uses this analysis as the departure point for its main theoretical work on the four topics listed in the subtitle. 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Sarebbero poi arrivato il tempo della televisione e poi di internet, e all’arrivo di ogni nuova tecnologia di trasmissione delle informazioni qualcuno ha profetizzato la scomparsa dei libri, sbagliando: prova ne è il fatto che questo testo di Alessandro Ludovico che tenete tra le mani possiede ancora tutte le caratteristiche che hanno contraddistinto i libri sin dalla loro invenzione.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eL’editoria, però, è senz’altro cambiata parecchio, e \u003c\/span\u003e\u003cem\u003ePost-digital print\u003c\/em\u003e\u003cspan\u003e è un libro fondamentale per chi voglia tracciarne la storia e seguire le sue evoluzioni – dalle pubblicazioni eretiche e clandestine alle visioni di H.G. Wells, dal ciclostile al print on demand, dalle fanzine fotocopiate ai reader per gli e-book. 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Invece che essere scartati, proprio i mattoni della fornace vengono fatti transitare altrove, e diventano il lotto – di terra, di scena, di guerra – dove indagare il nostro rapporto con la tossicità. Che fare con l’eredità degli aguzzini? Che ne è delle vite negate ed estinte, dei segni aberranti e mostruosi?\u003c\/p\u003e\n\u003cp\u003ePartendo da queste interrogazioni, \u003cem\u003eOgni creatura è un popolo\u003c\/em\u003e diventa racconto dell’epoca impura, magazzino criminale di vecchie scorie spettacolari, confronto con la colpa dell’eredità e insieme riflessione sulla scena «occupata», sul pezzo di terra che è sempre posto del re, sull’uso in guerra delle filosofie di liberazione – di ciò che credevamo ci avrebbe liberato, e che invece il pensare dopo Gaza ci costringe a rivedere da capo. Capsule del massacro, indagine sui meccanismi di produzione, asta aperta dove tutto è in vendita. 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Ranging from raw source material to edited topical reflections, they propose intimate contact with ideas generated or collected at the CCA.\u003c\/p\u003e\n\u003cp\u003eSofia Nannini\u003cbr\u003eEditing by Zaven Titizian\u003cbr\u003eDesign by NORM, Zurich\u003cbr\u003ePrinted by Druckerei zu Altenburg (DZA)\u003cbr\u003e20 x 30 cm, 64 pages\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53531202715981,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Sofia_Nannini.jpg?v=1779803525"},{"product_id":"exocapitalism-economies-with-absolutely-no-limits-marek-poliks-roberto-alonso-trillo","title":"Exocapitalism: economies with absolutely no limits - Marek Poliks \u0026 Roberto Alonso Trillo","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis book is provocative because it is the proverbial elephant in the system, but it is nonetheless rigorous, and written in good spirit—this isn’t a downer, this is cleaning up after a bender, after a 500-year drug-accelerated romance with a creature that counts its age in millennia. So what is left in this wasteland? Well, Arbitrage for one; other monumental processes like Lifting, Holding, Dragging and Folding roam around above our heads.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is a touch of destiny with this one. We have really pushed it as far as we can, and as we stay up all night trying to put the final touches on everything, the reverberations are starting to return. It’s been called, provocative, emancipatory, cutting-edge, and even, in some places, a bit caustic. Perhaps it is provocative because it begins to depart from Marxism as-we-know-it, and, with all the relevant necessary reverences applied, it attempts, dare I say, to step forward from the discourse of labour \u0026amp; production—not that what follows is somehow simpler, because it’s not. Yet as the authors contend, the world has already moved on, and capital, that same old capital, continues to do what it has always done, at myriad different scales, and in myriad worlds. Capital may well have already broken free of us, and so where exactly does that leave you, homocapitalus?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt would be in-keeping with the style of Charles Mudede to raise the question of whether we are on the cusp of a second ejection from Eden, and that means that whether we are ready or not, we have to step through the looking glass into a new conversation. That is what the authors wish to do here, to push the conversation to a new position, a position which understands DoorDash drivers, MMORPG gold farmers, and remote workers, accounts for AWS architecture, for memecoins and blockchain, for BlackRock, for the Internet (but for reals this time), for High-Frequency Trading and the LinkedIn economy, for Scale, for Airplane Miles and Club card points, and for ADHD \u0026amp; Adderall.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese two researchers have an enormous insight into contemporary economics, technology and finance, and yet they write as musicians, as the poetic theorists of antiquity, which, for us, makes this text epic. With Charles Mudede and Alex Quicho holding Exocapitalism down, it looks as though Marek Poliks \u0026amp; Roberto Alonso Trillo are here to stay.\u003c\/span\u003e\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53540862296397,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Exo_Capitalism.jpg?v=1777534420"},{"product_id":"multiplication-of-organs-manifesto-body-technology-identity-desire-christian-nirvana-damato-1","title":"Multiplication of Organs Manifesto: Body, Technology, Identity, Desire - Christian Nirvana Damato","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMultiplication of Organs Manifesto is an essay that delves into the transformations of sociality and sexuality in the context of digital technologies. Using an interdisciplinary approach that blends philosophy, erotic literature, media theory, psychoanalysis, gender studies, and neuroscience, the text explores how devices, platforms, and technologies shape and produce normative systems that influence our perceptions, desires, and relationships with others. By examining the interplay between desire and digital mediation and drawing comparisons with authors such as Deleuze, Ballard, Žižek, Butler, Preciado, Bataille, and others, this book aims to present a new theoretical, critical, and philosophical perspective in the contemporary discourse on the relationship between humans, technology, and society.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e        This book begins with an analysis of three iconic erotic texts from Masoch, Ballard and Bataille, and uses this analysis as the departure point for its main theoretical work on the four topics listed in the subtitle. The book passes through a lot of interesting phases, including an analysis of Phenomenology and Gucci, class struggle and OnlyFans and much more, until eventually arriving at the actual manifesto for Organ Multiplication and the beautifully named notion of the “Caged Sun”. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Wearable technologies in the field of digisexuality—teledildonics, smart condoms, and brain-computer interfaces—increasingly affect contemporary subjects in all aspects of life: measurement, gamification, control, and prediction of performance, emotions, and time. All these innovations reprogram how we “construct” desire, which Damato redefines as statistical desire—that is, a form of desire founded on quantification, gamification, predictability, and actions we intend to perform. At a more general level, Damato shows how digisexuality is rooted in the widespread unease with contact, with bodily proxemics: the discomfort with our own skin, aversion to being touched and to touching, resulting in contact avoidance. As sensorial experience is increasingly replaced by techno-semiotic exchange, perception is reconfigured; desire itself, through the hyper-semiotization of experience, is also transformed. This shift to digisexuality changes our very perception of reality. “Physical reality exists, but it is less and less the primary object of significant investment, and also of desiring investment—a cumbersome residue that we do not know what to do with.” The body is thus “no longer essential for communication,” increasingly “an embarrassing surplus in communication, a mass that we would be pleased to get rid of.” Damato's analysis focuses on the moment when this shift occurs (and is already underway): when our body is no longer “what we are,” where our self is located, but instead is experienced as something external—so that we become more “ourselves” in digital space than in our physical bodies.” — Slavoj Žižek\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eChristian Nirvana Damato is a writer, curator, and independent researcher working in the fields of philosophy, technology, psychoanalysis, and visual culture. He teaches media theory at the IED in Turin and runs various workshops on publishing and writing. He writes for and collaborates with various magazines and publishing houses. He is the founder and editorial director of Inactual. He has also published Medial Disorders. Interpretive and Non-statistical Compendium of Technological Disorders. Vol I, with contributions by Geert Lovink, Alfie Bown, Isabel Millar, Eyal Weizman (Forensic Architecture) et al. (ed. by, Inactual, 2024) and Wearable Statistical Desires. Re-programming the performativity of the body through digisexuality (Mimesis 2025; Everyday Analysis, 2025) and Medial Disorders Vol II.\u003c\/span\u003e\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53540869898573,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Multiplication_Organ_Manifesto_a2d59ca1-1238-4a9d-9110-d59e6e364a18.jpg?v=1779803704"},{"product_id":"where-does-a-body-begin-meltdown-your-books","title":"Where Does a Body Begin? - Meltdown Your Books","description":"\u003cp\u003eIn this book, we don’t do biology, or fund it, or research it, or practice it; in this book, we are biology.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eWhile presented as a contiguous work, the book is formed of different essays that have been dissected, recomposed with artificial connective tissue. The result lies somewhere between the rhizomatic continuity of a Body-without-Organs, and the disjointed assemblage of roadkill; either way, the question of where to even begin remains the same.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThese essays each grow out of a particular resentment that developed through years of experience as a working-student of biology, but the task of the book was to transform this into something productive, something that sticks granular propositions into Biology like acupuncture needles. Inherent sexism within Biological research is, after all, not entirely disconnected to Pharmaceutical giants flooding the streets with opiates—and it is simply a writer’s hope that some well positioned words can remind enough people of how its all connected.\u003c\/p\u003e\n\u003cp\u003eIn what could be perceived as a philosophical turn, the importance of talking about science, as much as doing it, is re-entering the popular scientific consciousness, and it is high time, too. What was already getting bad under Biden, became catastrophic under Trump, and the infiltration into public research by private institutions and capitalist enterprises, which this book highlights, is proving dire. The capitalisation of all things bio, whether -yoghurt, -metric data or -logical institutions, is necrotic—MeltdownYourBooks didn’t flinch, they just grabbed the scalpel, dowsed the flesh in ethanol, and asked the question we all forget needs answering: where first, Doc?\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53540875075917,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Where_Does_A_Body_Begin.jpg?v=1779803599"},{"product_id":"in-the-delirium-of-the-simulation-baudrillard-revisited-achim-szepanski","title":"In the Delirium of the Simulation: Baudrillard Revisited - Achim Szepanski","description":"\u003cp\u003eFrom finance to non-philosophy and radical experimental music, Szepanski is an anomalous and masterful theoretician with one hell of a history.\u003c\/p\u003e\n\u003cp\u003eThis\u003cspan style=\"font-size: 0.875rem;\"\u003e is a monumental and extensive work from someone who is arguably the most well-versed scholar of Baudrillard, Deleuze \u0026amp; Laruelle in the German-speaking world, Achim Szepanski, the original founder of Mille Plateaux, Force Inc Music Works and NON. This book is dedicated to Jean Baudrillard, who would be described by Achim as the most radical and advanced stimmung in Philosophy. Through this comprehensive and devouring analysis of Baudrillard’s work, the author presents a gripping account of their own philosophy; alongside his magnum opus Die Ekstasie der Spekulation, this book, In the Delirium of the Simulation, provides the strongest case for what might be called, in light of his passing, Szepanskism or Szepanskian Economics.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs time passed since the loss of our friend, Achim Szepanski, we found ourselves revisiting this book, and we invested time in refining some parts of certain texts, and looking at the translations again. We decided to include three other texts which elaborate in various directions, and we organized a new afterword by Alessandro Sbordoni, which asks what a Szepanskism might be. Lastly, it felt appropriate to draw up a foreword, which helps position the book within a broader context, as well as paying respects to the author's life.\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53540881006925,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Achim_Szepanski.jpg?v=1779803149"},{"product_id":"technically-man-dwells-upon-this-earth-ulysse-carriere","title":"Technically Man Dwells upon this Earth - Ulysse Carrière","description":"\u003cblockquote\u003eThis text leaves us with a clearing of the conceptual ground for thinking of the Intellect as unbounded production (as you are about to see unfold). This setting is able to provide a meaning to acceleration as the relinquishment of identity to itself. All that can be automated, must be, for it already is; real acceleration derives from the potentiality to realize that which one already eels is at work in the now, the \u003ci\u003ewirklich\u003c\/i\u003e working its way to the real. The tedious bone-crushing wheels of history will never stop turning, not until they have turned the world itself into a purposeless engine, at which point there will be no calculation left to execute anyway. The logic of extinction here reveals itself as the condition for anarchic creation to operate, as its unilateral counterpart. Instead of giving ourselves to erotics or, Gods forbid, aesthetics as a replacement for thought, there remains only the immanent necessity of understanding Thinking as a thinking of the Beautiful. — Louise Morelle, Foreword\u003c\/blockquote\u003e\n\u003cp class=\"p1\"\u003eThe book where it all began. There would be no Becoming Press without Technically Man Dwells, a book authored by someone who even to today has captured the hearts of a lot of the people who follow Becoming’s activities; a deep appreciation for the intelligence of this author is something that the group shares in common. This book is excellent; a very elegant prose that gives an incredibly sophisticated deconstruction and response, to, Artificial Intelligence, and the question of A.I art. The time of \u003ci\u003eArt\u003c\/i\u003e has come; \u003ci\u003ebecause\u003c\/i\u003e the time of the \u003ci\u003eArtist\u003c\/i\u003e is over!\u003cbr\u003e\u003cbr\u003eIt is unlikely that this book will be reprinted. Introduced with grace by Louis Morelle.\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53540917576013,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Technically_Man_Dwells_Upon_This_Earth.jpg?v=1779803558"},{"product_id":"empires-over-skin-meltdown-your-books","title":"Empires Over Skin: How We Fashioned Our World - Meltdown Your Books","description":"\u003cp\u003e\u003ci style=\"font-size: 0.875rem;\"\u003eMeltdown Your Books\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, the author of \u003c\/span\u003e\u003ci style=\"font-size: 0.875rem;\"\u003eWhere Does A Body Begin?\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e (2023), returns to Becoming Press for their second book, focusing not, this time, on the body itself, but what comes next. Whether in the sense of Dress, Clothing or Fashion, there is not much beyond the body itself that better signifies humanity than the act of adorning a body with garments, because we have no fur, or because of social codes, whether religious or class-oriented, because of beauty, or because of industrial capital; because, because, because. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e“The mounds of clothing that adorn my floor and the foot of my bed sometimes grow too large, and suddenly I am sinking into the matted mess of fabrics. On days like these I can’t help but feel that clothing, not just my clothing, but the very idea of clothing, is swallowing me up. Clothing is this immensity looming over me, yet somehow a microscopic itch in my brain, prodding me and twisting itself into knots–an irritation I accept for the temporary bliss of scratching it.”\u003c\/blockquote\u003e\n\u003cp\u003eTo be human is to wake up, every morning, and to don the costume that completes your identity, for better or worse, by choice or by coercion. The task this book undertakes requires a particular kind of author, one who can recognise and sort through the contradictions on a theoretical level, but also someone who does not abstract the topic from their position as a subject—a critical book of fashion must be written by someone who lives it, someone who is passionate enough to write in good faith, because fashion isn’t just Gucci and Sweatshops—which themselves are rightly condemned for all kinds of reasons—because fashion itself is merely the tip of what may be one of the biggest, deepest ice bergs of all—Fashion is a philosophical black hole, one which drags everything into its infinite stomach, from semiotics to psychoanalysis, to art, design and craftsmanship, to economics and production chains, to speculation and historicising, to algebra, journalism and so on.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eYet, this isn’t a philosophy book, because it is too down-to-earth and relatable; the book is just as celebratory and excited as it is critical. M.Y.B. begins by simply looking down, and beginning to describe the shoes upon their feet—it unravels dialectically and uncovers long chains of connections that stretch back through time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Empires over Skin is a must read if you are interested in design and concept production. The book starts with a first person elaboration of the author's own attachment to what they wear, and from there, moves into an elaboration about the awareness one needs in order to have agency in the midst of fashioning forces.” — Lucas Ferraço Nassif\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":53540970299725,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Empires_Over_Skin.jpg?v=1779803287"}],"url":"https:\/\/shop.b-r-u-n-o.it\/collections\/bookshop.oembed?page=4","provider":"bruno","version":"1.0","type":"link"}