{"title":"Bookshop","description":"","products":[{"product_id":"stinkhorn-how-natures-most-foul-smelling-mushroom-can-change-the-way-we-listen","title":"Stinkhorn – How Nature's Most Foul-Smelling Mushroom Can Change the Way We Listen","description":"\u003cdiv class=\"gmail_default\"\u003e\n\u003cp\u003eThe stinkhorn mushroom is one of the weirdest wonders of the fungal world, certainly the smelliest. Ever since it was described by a Dutch doctor in a sixteenth-century pamphlet, the stinkhorn has been reported to emit odors resembling damp earth, dung, rotting cheese, decaying flesh, and even semen. It also happens to look like a phallus, bursting out of a subterranean egg to poke above the ground, where it lures insects towards its slimy, fetid cap. In\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStinkhorn\u003c\/i\u003e, artist, musician, and writer Siôn Parkinson asks: What can the pervasive stench of this mushroom and the droning noise of the flies compelled towards it reveal about how sounds and smells are combined in the imagination?\u003c\/p\u003e\n\u003cp\u003eA heady mix of natural history, science writing, musicology, philosophy of the senses, and illness memoir, Parkinson uses examples of so-called bad smells to argue for a theory of Stink as a kind of “smelling sound.” Alongside images and insights from the author’s search for stinkhorn fungi in nature, the book expands upon the philosophy of listening to consider the role of the nose and the “nasal imaginary” in how we make sense of sound.\u003c\/p\u003e\n\u003cp\u003eIn this treatise on malodors and how they can transform the conditions for listening, Parkinson considers John Cage’s silent fungal forays, Brian Eno’s compositions with perfumes, the hum note of a vibrating bell, the “eggy” odor of space, and the author’s own hallucinated stench as the result of an epileptic seizure. What links these disparate ideas and sensory experiences can be found in a single encounter with a ripe stinkhorn mushroom.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eIncludes 16-page insert of a facsimile of the Neo-Latin–English translation of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Description of the Phallus\u003c\/i\u003e by Hadrianus Junius, translated by Caroline Spearing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17×24 cm, 208 pages, \u003cbr\u003e8 color \u0026amp; 48 b\/w ill, \u003cbr\u003ehardcover with dust jacket\u003cbr\u003eISBN 978-1-915609-27-4\u003cbr\u003e\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":50435225583949,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Stink_Horn.jpg?v=1779812639"},{"product_id":"a-hypothesis-of-resistance-cally-spooner","title":"A Hypothesis of Resistance - Cally Spooner","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eA Hypothesis of Resistance \u003c\/i\u003e\u003cspan\u003econtains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration. Each attempts to resist the doctrine of “performance,” the symptom of a society, stratified by how we perform​—​economically, socially, digitally. As we become ripe for consumption, caught in an economy of perpetual readiness, basic needs remain unmet and it is increasingly difficult to tell the difference between what is alive and what is dead.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mousse","offers":[{"title":"Default Title","offer_id":50536035975501,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/callyspooner.jpg?v=1731519657"},{"product_id":"francesca-todde-iuzza-goliarda-sapienza","title":"Francesca Todde - Iuzza. Goliarda Sapienza","description":"\u003cp\u003e\u003cem\u003eIUZZA\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eracconta la storia di una traversata notturna in mare alla ricerca di Goliarda Sapienza. “Iuzza” è l’affettuoso soprannome d’infanzia dato alla scrittrice in Sicilia, dove viene al mondo nel 1924. La simmetria sbilenca tra la sua biografia e la sua opera è piena di presenze invisibili: il vigore della sua avventura letteraria assomiglia a un tesoro recuperato da un relitto.\u003c\/p\u003e\n\u003cp\u003ePartendo da romanzi, poesie, racconti, lettere e documenti personali di Sapienza,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIUZZA\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esi dipana come un viaggio intimo innescato da forze antagoniste, sovvertendo la natura delle forme e trasformando le parole in immagini. La sequenza di immagini è composta da sette sezioni che operano attraverso spostamenti temporali, riferimenti testuali ed eventi concatenati. Ogni parte nasce da un dialogo indiretto con la propria assenza, come una sorta di scambio telepatico attraverso lo spazio vuoto che mira ad amplificare la percezione delle connessioni emotive.\u003c\/p\u003e","brand":"ursusbruno","offers":[{"title":"Default Title","offer_id":50611543245133,"sku":"","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Depart_Pour_Image.jpg?v=1779897584"},{"product_id":"maria-roszkowska-nicolas-nova-nicolas-maigret-a-bestiary-of-the-anthropocene-hybrid-plants-animals-minerals-fungi-and-other-specimens","title":"Maria Roszkowska, Nicolas Nova, Nicolas Maigret - A Bestiary of the Anthropocene Hybrid plants, animals, minerals, fungi, and other specimens","description":"\u003cp\u003eEqually inspired by medieval bestiaries and observations of our damaged planet, A Bestiary of the Anthropocene is a compilation of hybrid creatures of our time. Designed as a field handbook, it aims at helping us observe, navigate, and orientate into the increasingly artificial fabric of the world.\u003c\/p\u003e\n\u003cp\u003ePlastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, Sars-Covid-2, decapitated mountains, drone-fighting eagles, standardised bananas… each of these specimens are symptomatic of the rapidly transforming “post-natural” era we live in. Often without us even noticing them, these creatures exponentially spread and co-exist with us.\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003eA Bestiary of the Anthropocene seeks to capture this precise moment when the biosphere and technosphere merge and mesh into one new hybrid body. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is “natural” or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? What new specimens are currently populating our planet at the beginning of the 21st century?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEdited and introduced by Nicolas Nova \u0026amp; DISNOVATION.ORG, with texts by Geoffrey C. Bowker, Alexandre Monnin, Pauline Briand, Benjamin Bratton, Michel Lussault, Pierre-Olivier Dittmar, The Center for Genomic Gastronomy, Anna Lowenhaupt Tsing, Matthieu Duperrex, and Aliens in Green. Featuring illustrations by Maria Roszkowska (DISNOVATION.ORG).\u003c\/em\u003e\u003c\/p\u003e","brand":"ursusbruno","offers":[{"title":"Default Title","offer_id":50686901682509,"sku":"","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Bestiary_Of_Anthropocene.jpg?v=1779792628"},{"product_id":"emissaries-for-things-abandoned-by-gods","title":"Emissaries for Things Abandoned by Gods","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCatalogue for the exhibition Emissaries for Things Abandoned by Gods\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurated by Elena Filipovic\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCasa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard the architect had for the power of these images and objects, the exhibition occupying the Casa Barragán from September 21-December 15, 2019, entitled Emissaries for Things Abandoned by Gods, aims to fill the house with the artworks of contemporary artists. All existing artworks in the Casa Barragán (including all paintings, photographs, images, copies of artworks, sculptures, and artifacts) will be temporarily replaced by contemporary equivalents or “emissaries” selected for their formal or conceptual correspondences with the originals. These newly made and recent artworks by contemporary artists from around the world will be placed precisely where each of the removed originals had previously been in the house.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtists:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMathieu Kleyebe Abonnenc\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDanai Anesiadou\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLutz Bacher\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoberto Cuoghi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eektor garcia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Angelo Harrison\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeinz-Peter Knes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGabriel Kuri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJutta Koether\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDeana Lawson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJill Mulleady\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeth Price\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePamela Rosenkranz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael E. 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The photographed desert is the place where autochthonous citizens of Bahrain pass their holidays in order to get in touch with their ancestral nomadic origins. The desert is also the site of gas and petroleum ducts and high voltage trellises, which alter and accentuate the topography of the territory. The men portrayed are immigrants attempting to improve their own living conditions and those of their families. Through their labour they construct the objects that modify the landscape of the desert. 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Using an interdisciplinary approach that blends philosophy, erotic literature, media theory, psychoanalysis, gender studies, and neuroscience, the text explores how devices, platforms, and technologies shape and produce normative systems that influence our perceptions, desires, and relationships with others. By examining the interplay between desire and digital mediation and drawing comparisons with authors such as Deleuze, Ballard, Žižek, Butler, Preciado, Bataille, and others, this book aims to present a new theoretical, critical, and philosophical perspective in the contemporary discourse on the relationship between humans, technology, and society.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book begins with an analysis of three iconic erotic texts from Masoch, Ballard and Bataille, and uses this analysis as the departure point for its main theoretical work on the four topics listed in the subtitle. 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Sono queste le domande da cui Irmgard Emmelhainz parte per indagare il potenziale rivoluzionario delle immagini oggi, in un mondo per certi aspetti già post-apocalittico e lacerato da numerosi scenari catastrofici. Navigando attraverso una serie di opere (narrative, filmiche, fotografiche, teatrali, performative), la critica messicana ricostruisce il sensorium della violenza contemporaneo, in cui l’autodistruzione sembra essere ormai tanto il destino della Modernità, quanto l’ultima arma rimasta alle popolazioni ridondanti, rese superflue e sacrificabili dal Progresso dell’Occidente.\u003c\/span\u003e\u003c\/p\u003e","brand":"ursusbruno","offers":[{"title":"Default Title","offer_id":51863487152461,"sku":"","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Dell_Autodistruzione.jpg?v=1779792580"},{"product_id":"quatre-yeux-adrien-bitibaly","title":"Quatre Yeux - Adrien Bitibaly","description":"\u003cp\u003eIn Burkina Faso, tragic events (sudden death, illness, accident...) or out-of-the-ordinary occurrences are inevitably interpreted as the result of malicious intervention. There must be someone to blame. Having grown up in this culture, Adrien Bitibaly was able to observe from an early age the importance of traditional religions in Burkinabe society. Among the manifestations of these beliefs, accusations of witchcraft have always caught his attention. As a child, the objects or places he was told were possessed or haunted seemed quite ordinary to him, and he never understood what could generate such denunciations. Witchcraft remains elusive, supernatural and unverifiable. Yet the consequences of an accusation are very real: the inequalities and discrimination suffered by the accused (as these accusations overwhelmingly affect women) are legion.\u003cbr\u003eAs an adult, with Quatre Yeux, Adrien Bitibaly travelled the country to meet traditional priests, individuals endowed with the “capacity” to determine whether a person possesses evil powers and should therefore be designated as a witch. What is their role in this social practice? Possessors of a power whose conditions of exercise remain unknown to the majority, can they be wrong? His photographic work seeks to show what can trigger accusations of witchcraft. His aim is to explore the genesis of popular belief, not to prove a truth.\u003c\/p\u003e","brand":"ursusbruno","offers":[{"title":"Default Title","offer_id":52079513272653,"sku":null,"price":41.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/Quatre_Yeux.jpg?v=1779876186"},{"product_id":"the-design-comedy-the-decent-through-inferno-otto-von-busch","title":"The Design Comedy: The Decent Through Inferno - Otto von Busch","description":"\u003cp\u003eDesign is a hellmouth of disappointment and a harrowing pit of professional failure. In this paraphrase of Dante’s \u003ci\u003e\u003cspan\u003eDivine Comedy\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, Otto von Busch, a pitiful design professor, searches for the design workshop at Parsons. Proving inaccessible, the lost professor falls into despair. However, a recently fired workshop technician, Virgil, appears to know the way. They descend the crumbling corridors of design’s collapse, through the ruins and anguish of broken promises, failed research, self-absorbed design theorists, and hypocritical designers, to the very nadir of design’s inferno.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIntroduction by Nicola Masciandaro\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCommentary by Aaron Sechler\u003c\/span\u003e\u003c\/p\u003e","brand":"ursusbruno","offers":[{"title":"Default Title","offer_id":52144901521741,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0164\/7630\/7520\/files\/The_Design_Comedy.jpg?v=1779876088"},{"product_id":"clara-obligado-all-that-grows-nature-and-writing","title":"all that grows – nature and writing - Clara Obligado","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eall that grows: nature and writing\u003c\/em\u003e\u003cspan\u003e is the English-language translation of \u003c\/span\u003e\u003cem\u003eTodo lo que crece: naturaleza y escritura\u003c\/em\u003e\u003cspan\u003e by the Argentinian author \u003c\/span\u003eClara Obligado\u003cspan\u003e. 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The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun.\u003c\/p\u003e\n\u003cp\u003eStill, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over?\u003c\/p\u003e\n\u003cp\u003eIn this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avantgarde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. 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